makes sense.For low bass notes it takes digital pitch widgets a while to parse pitch and transpose it, so they're often just a little bit slow and glitchy on transients. This is much less of a problem with guitar or vocals, hence why bass synthesizers using pitch conversion all suck blue putty balls, pretty much. And of course many people actually like distortion on bass, in which case all bets are off.
me too. surprised i understand and know whats what. a little bit anyway.
For low bass notes it takes digital pitch widgets a while to parse pitch and transpose it, so they're often just a little bit slow and glitchy on transients. This is much less of a problem with guitar or vocals, hence why bass synthesizers using pitch conversion all suck blue putty balls, pretty much. And of course many people actually like distortion on bass, in which case all bets are off.
FIFYDistortion after pitch, just before the end of time
Me too. Nice work!
Real punks don't give a rip about how anyone else in the band is tuned, just sayin'.
or practice.
Are you kidding? Im thrilled when they know what day we're practicing, and what songs we play.
Yea same here. The strings lose a lot of tension and fundemental just so that the guitarist can have an easy time on his already easy to fret instrument lol. That's one issue I have with joining bands, they always wanna down tune
I use an octaver to get extra oomph outta my sound. I figure rather than just tuning to the same pitch as my bass VI, which I use as a guitar, I have that octaver on my bass adding just a little bit of sub harmonic character to the song
Im a fan of subharmonics and they do a nice job of synthesizing bass, which isnt really there.
Yea it's what I been noticing as well. They sound amazing in the mix. A great way of adding lower octaves if your guitar and bass are tuned in the same octave.